By Antonio Vivaldi. Edited by John Craton. Chamber ensemble. For Violin, piano. Chamber Music. For violin scordatura and orchestra, this version is for violin and piano. Baroque. Score and part. 26 pages. Duration 15:00. Published by Wolfhead Music. (WM515) Level: Advanced.

Violin & Piano

SKU: SU.80601680

For Violin & Piano. Composed by Norman Dello Joio. Strings, Violin. Accompanied by piano. Score & Parts. Edward B. Marks Music #80601680. Published by Edward B. Marks Music (SU.80601680).

Violin & Piano Composed: 1964 Published by: E.B. Marks.

(Romance for Violin and Orchestra Violin and Piano Reduction). By Kenneth Fuchs. For Violin, Piano Accompaniment. E.B. Marks. 12 pages. Published by Edward B. Marks Music

Violin & piano

SKU: HH.HH424-FSP

Composed by Anton Eberl. Edited by Martin Harlow. Violin & Piano. Full score and part. Edition HH Music Publishers #HH424-FSP. Published by Edition HH Music Publishers (HH.HH424-FSP).

ISBN 9790708146254.

Among Vienna’s many composers and pianists of the time, Anton Eberl (1765–1807) was the one considered most worthy of comparison with Beethoven. His Sonata in B flat major, Op.35, his last of seven sonatas with violin, was composed around 1805 and dedicated to Maria Walburga, the Princess Bretzenheim. This was one Eberl’s last works, as he died prematurely, at the age of forty-one, in 1807. Unlike many of Eberl’s lesser contemporaries, in its duration, formal and harmonic novelty, and in the lively relationship between the violin and keyboard, his Op.35 shares much of the musical ambition and quality of Beethoven’s works in this genre.

Violin & piano

SKU: HH.HH473-FSP

Composed by Anton Eberl. Edited by Martin Harlow. Violin & Piano. Full score and part. Edition HH Music Publishers #HH473-FSP. Published by Edition HH Music Publishers (HH.HH473-FSP).

ISBN 9790708146841.

The model for this sonata is Mozart, specifically his Sonata in B flat major, K.454, written in 1784. Eberl borrows many structural and stylistic features from K.454: the grand, slow introduction of the first movement; the song-like second movement opening over rocking accompaniment; and the gavotte-like closing rondo. Eberl even quotes directly from K.454. But the work also looks forward to Beethoven’s contributions to the genre, and in its duration, formal and harmonic novelty, and in the lively relationship between the violin and keyboard, Op.50 shares much of the musical ambition and quality of Beethoven’s early works in this genre.

With Cadenzas and Lead-ins - for Violin and Orchestra - Piano Reduction. By Wolfgang Amadeus Mozart. Edited by W.-D. Seiffert. Violin. Pages: Score = III and 25 * Vl Part = 11. Urtext edition (Paper-bound). Published by G. Henle.

(Performance Set). Composed by Roger Huntington Sessions (1896-1985). For Piano, Violin. String Solo. 52 pages. Edward B. Marks Music #MS1094. Published by Edward B. Marks Music

By Johann Sebastian Bach. Edited by Schleifer, Stiehler(Urt.). For violin, piano (violoncello or viola da G ad lib). Nos.1-3(b,A,E)(BWV 1014-1016). Published by C.F. Peters.

Violin and Piano. By William Bolcom. Marks. Softcover. Size 9x12 inches. 24 pages. Published by Edward B. Marks Music Company.

(Violin and Piano). By William Bolcom. E.B. Marks. Softcover. 32 pages. Published by Edward B. Marks Music

Composed by J. B. Accolay. Masterworks; String - Violin and Piano. Kalmus Edition. Masterwork; Romantic. Book. 56 pages. Kalmus Classic Edition #00-K03000. Published by Kalmus Classic Edition

By Antonin Vranicky. For violin, piano. Musica Antiqua Bohemica I/16. Czech title: Concerto Si(b) maggiore. Classical. Piano reduction. Published by Editio Baerenreiter Praha . Reduction. Classical.

Violin and Piano. By Hilary Hahn. By Various. Boosey and Hawkes Chamber Music. Classical, Contemporary. Softcover. 340 pages. Boosey and Hawkes #M051107933. Published by Boosey and Hawkes (HL.48023059).

Violin and piano

SKU: BO.B.3632

Composed by Jordi Cervello. Published by Editorial de Musica Boileau (BO.B.3632).

Duo-Sonata for violin and piano was written between September and October of 2010. It is made up of three movements, each of which has unique characteristics. The first, Allegro appassionato, is monothematic, although the theme itself is presented in several ways. Following a vigorous start featuring violin cadenza, the movement is developed with a lively feel, alternating lyrical fragments with other energetic ones. Its conclusion is resounding.

Meanwhile, the second movement, Quasi un lamento, is introspective and fragile. A long melody is sustained by a delicate and transparent piano accompaniment, evoking once again the theme of the first movement and concluding with a Lento of descending piano harmonies while the violin follows, in octaves, with heartfelt glissando.

The third movement, Scherzando-Allegro, is a light-hearted game between the piano and the violin. The main theme is repeated once again, this time with a binary time signature. The violin uses ricochet (the rebounding of notes in a bow stroke), as well as natural and artificial harmonies in quick time. The piano part unfolds completely naturally, excluding any gratuitous artifice.